Showing posts with label metalsmithing processes. Show all posts
Showing posts with label metalsmithing processes. Show all posts

Thursday, January 29, 2015

Gemstones Weaved Into Design - Cynthia Downs Jewelry

Integrating traditional metalsmithing techniques with textile
techniques is a signature feature for Cynthia Downs.
 
She combines techniques from both disciplines
to create sculptural jewelry.
 
As she describes her work, Cynthia says,
  “Weaving is truly a meditative experience,
which also taught me patience.”
 
Cynthia’s design process centers around the stone.
She describes it as,
 
“Sometimes the stone may command a more elaborate setting
to tell its story.  However, there are times it’s really all
 about the beauty of the stone itself, and therefore,
is presented with simplicity and elegance.”   
 

 

 

 
 



 
 

 
 
 
 
 
 


Lovely work meticulously crafted
with interesting gemstones will get attention 
every time. 
 
Prepare to be surprised at the range of work she has created.
There are many more designs to see

 

Tuesday, December 30, 2014

Hand Pierced Delights - Kate Case Jewelry

 
 
Metalsmith Kate Case creates lovely work in sterling silver
embellished with 18 KT gold and various gemstones.
She specializes in the traditional techniques of
 hand piercing and repoussé.
 
I immediately became smitten with her hand-pierced jewelry
designs because of her singular vision and the overall 
visual design of her work.
The repetitive elements of her designs bring
a charming classical quality to her work.
 
 
Her work is meticulously hand cut with a jeweler's saw,
and the care is truly apparent in every one of her pieces.

 




 
 
 
 I always enjoy viewing pictures that show
the artist's detailed processes and techniques.
It gives me a sense of how each piece
slowly yet surely comes together.
Here are some photos of Kate's intricate
hand cut work in progress.
 
 

It’s easy to see there can be a great deal of enjoyment in perfecting
these processes, even when it comes to creating the same design
and components over and over – although of course
in the world of the handmade
 no piece is ever really identical to another.


Be sure to see more of her work at
 
 
 

Wednesday, April 24, 2013

Emily Watson Jewelry

I recently came across innovative
jewelry created by multi-talented
 metalsmith Emily Watson,
and as I read about her ideas and the multiple
processes she uses to create her jewelry
I found myself becoming increasingly more intrigued.
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Among her varied range of collections my favorite
 is the Smoke Proof Collection which 
combines enamel with sterling silver.
x
However this collection is comprised of a
more labor-intensive range of elements
than one would ordinarily expect.
x
 She begins by combining
 etching and printing techniques
to pull paper prints of her designs.
x
But that’s only the first layer of work.
 x
She then uses the etched copper plates
as a base for her enameling and
metalsmithing processes to create jewelry.
x
I especially like how she describes
her process and motivation.
Here's a portion of her detailed explanation.


 
Smoke proofing is a process originally used by
type cutters. As the shape was being cut,
progress was tested by blackening the image with
soot collected from a candle flame and then
printing it on paper . . . The idea of the smoke proof
appeals to me for several reasons.
The type of enameling I use most frequently,
champlevé, is closely tied to methods of printmaking.
A copper plate is etched to produce low areas
(which are filled with enamel) and raised fields . . .
I began this series of work thinking of the pieces
simply as playful experiments in printing an image
from one material to another . . . The marks left speak
about what is not present. The processes used to make them
are temperamental and difficult to reproduce . . .
The heated plate acts like the brief flash of heat that
turns powdered enamel to a solid glass surface.
It imprints a memory, and that
memory then becomes a piece of jewelry.

 By understanding the various elements of
her work I can see more layers of interest
in each piece.
 
 










Her innovative combination of techniques
and  her spirit of exploration
captures and inspires
my imagination.
It is work that's created
thoughtfully and meticulously
and the results show it.
 x
 Be sure to take a look at the entire range
of her work on Emily Watson's website.
 

Monday, February 4, 2013

Wendy Edsall-Kerwin Jewelry

Metal collars that wrap around the
neck in sultry swirls and
asymmetrically-shaped rings and pendants
are just a few examples of the gorgeous
handcrafted jewelry by Wendy Edsall-Kerwin.

Made with sterling silver, copper, 
gemstones and even river rock
  this jewelry evokes a spirit of
spontaneous movement.

I like how the artist innovatively
explores contrasts such as,
rough with smooth, light with dark,
and precious with non-precious.
 












 



See more of Wendy Edsall-Kerwin's work on her website.


Monday, December 17, 2012

Aleksandra Vali Jewelry


Aleksandra Vali describes her work
perfectly as "feelings carved into metal."
Her highly-textured work revolves
around experiments with silver
combined with various materials
like gold, shells, diamonds, gemstones, pearls,
corals, textiles, lava rocks, and plastics.


A variety of techniques allows her to
make the most out of these materials
through carving, casting, riveting,
oxidizing, etching and metalsmithing.

 


















I especially like how
the rough texture of the metal
is contrasted by
smooth pearls and other gemstones.
 
to see more of her wonderful work.



 

Friday, November 16, 2012

Lisa Colby Jewelry

Metalsmith Lisa Colby designs
her visions in silver then adds
gold, gemstones or found objects.
I especially like how her work
shows the mark of the human hand.
 In other words, I like how she
speaks metal.
 
She explains her work,
I create jewelry that is fabricated entirely by hand. One of the techniques I employ is that of melting sterling silver and manipulating this material while it is hot to achieve the organic shapes often seen in my designs.
 
 
 
 
 
 
 
 


 
 





For more views of all her varied collections
see Lisa Colby's website.
 

Tuesday, November 6, 2012

Surface Effects on Mixed Metals - Sharrey Doré Jewelry

Hand-fabricated pieces made in sterling silver
 and 14K gold, work by Sharrey Doré delightfully
 combines various elements, textures,
and pattern effects in the creation of
contemporary jewelry.

This artist is a metalsmith with innovative ideas
each beautifully expressed by
a compelling design with a strong
 architectural or Asian influence.

Using techniques such as reticulation, fusing
and embossing, she purposely sets out to explore
and develop her own processes in
surface texturing and patterning on metal.

The results are lovely one-of-a-kind
 miniature sculptures.
 
I especially love her pieces featuring
gold granulation over silver.
It enhances that striking contrast
between the gold and silver.

 













 
 
 Be sure to visit Sharrey Doré's website
to see more of this beautiful mixed-metal work.
 
 
 

Monday, September 10, 2012

Variations on a Theme - Hilary Hachey Jewelry


Repetition is a central theme
for Hilary Hachey.
Using a combination of cast and hand-fabricated elements
she focuses on two central collections
to showcase her beautiful jewelry.

Her work is characterized by seemingly endless,
fascinating variations on a theme.
 One collection features a curvaceous oval shape
and, by contrast, the other emphasizes
linear use of cubes and squares.
 
And that is the point.

This jewelry is based on the principles
of the Bauhaus movement which is
defined by, among other things,
a definite geometric style -
 it is the repetition, asymmetry,
and specific geometric shapes that form the
 visual language for her jewelry.

Even with these repeating elements
this jewelry is far from monotonous or boring.  
Elements are grouped in myriad ways to
make this jewelry seem rhythmic and almost lyrical.
 
This is how the artist describes her work,
“I consider my work to be architectonic. That is, a type of perceived sensibility to form and design that prefers the simple over the complex, and the well-built over the mass-produced. I adopted the Bauhaus name for my jewelry because the Bauhaus aesthetic utilizes economy of method and severe geometry of form.
 
  

Here are some examples of her amazing work.
 
 

 
 
 
 
 



 








 



She seems to have an enormous repertoire of
designs that use the cube, box and oval as
 primary structural themes, and she creates
endless, expressive riffs on these themes.


What I like is that each piece is familiar, but not the same.
It all comes together under Hilary's discerning eye to
create pieces that are edgy yet cohesive.
 
See more of Hilary Hachey's designs at her